15 Necessary Exhibitions To See This Black History Month

Photos courtesy of California African American Museum, Pérez Art Museum Miami, Museum of Fine Arts Boston

You won't want to miss them

The art world establishment is still incredibly whitewashed, and mostly male. It's not alone in this, unfortunately, but it's particularly notable since creative expression is often at its most exciting when it comes out of marginalized, underrepresented communities. This is why it's absolutely necessary that minority voices be given a mainstream platform—it benefits them, yes, but also audiences.

Inclusive exhibitions cannot and should not be restricted to only being shown during Black History Month, of course, and I always advocate that museums and galleries focus on diversifying their offerings. But, there are so many opportunities around the country to see art made by Black creators this month—and even if you can't see them in person, you should at least read up on the artists and their work. Below are some great places to get started on doing just that.

Photo courtesy of Museum of Fine Arts Boston

Museum of Fine Arts Boston, Made Visible, opens February 2
This exhibition draws attention to the underrepresented communities of South Africa who were systematically oppressed during the apartheid regime, including Xhosa, Ndebele, and Zulu communities; women of color; members of the LGBTQI community; and rural citizens. Members from these communities will describe the ways that clothes have shaped their identities.

Photo courtesy of Museum of Contemporary Art

Museum of Contemporary Art Pacific Design Center, One Day at a Time: Kahlil Joseph's Fly Paper, closes February 24
This film explores the rich cultural impact and history of Harlem and the larger topic of Black art and culture in New York City.

Photo courtesy of ICA; Kevin Jerome Everson, IFO, 2017. Film still. © Kevin Jerome Everson. Courtesy of the artist, Trilobite Arts DAC, and Picture Palace Pictures.

Institute of Contemporary Art, Philadelphia, Colored People Time: Mundane Futures
The first part of a three-part installation (it runs through March 31, and will be followed later this year by Quotidian Pasts and Banal Presents), Colored People Time: Mundane Futures is a provocative, fascinating look at the way the Black American experience has shaped and really provided the framework for our larger American experience. It provides essential insight into the ways in which Black discourse has worked outside of time, making clear that the future that is only now coming into being is actually referential to moments that have already past. An example of this is the exhibit's copy of The Ten-Point Program laid out by the Black Panther Party in a 1972 issue of its eponymous publication; it's almost identical to the political proposals of politicians like Alexandria Ocasio-Cortez. —Kristin Iversen

Photo courtesy of New Museum

New Museum, Nari Ward: We The People, opens February 13
Ward's sculptures use recycled objects found in Harlem (where he lives now) or Jamaica (where he grew up). This exhibition pays particular attention to Harlem as an important site for his creation.

Photo courtesy of Institute of Contemporary Art Boston

Institute of Contemporary Art Boston, Nina Chanel Abney
The mural that Abney created for the ICA explores "social tensions in the digital age," paying special attention to "the constant stream of true and false information, the dilemma of liberal racism, and abuses of power that lead to structural inequality."

Photo courtesy of Art Institute Chicago

Art Institute Chicago, Dawoud Bey: Night Coming Tenderly, Black
The series of large-scale black-and-white images that Bey has taken take a look at African-American history. The sites photographed are some of the last stops on the Underground Railroad, and some of the last places seen by former slaves before they crossed over to freedom in Canada.

Frye Art Museum, Tschabalala Self
Self's work is positioned at an intersection between race, gender, and sexuality. Specifically, it investigates the "iconographic significance of the black female body in contemporary culture."

Photo courtesy of Museum of Contemporary Art Chicago

Museum of Contemporary Art Chicago, Prisoner of Love
This short film shows what it feels like to live in America as a person of color and, in doing so, "tells a story of trauma and transcendence." Video recordings of Martin Luther King Jr. and Notorious B.I.G. are interspliced with footage from the news, concerts, and homes.

Photo courtesy of Hammer Museum

Hammer Museum, Hammer Projects: Jamilah Sabur
Ready to feel otherworldly? This video exhibition explores the act of navigation between the martial world and the transcendental plane and brings together ritual practices and digital technology.

Photo via Artsy

Atlanta Contemporary, Kevin Cole: When My Scars are my Testimony
Cole's exhibition is so personal that I'll leave it to him to explain it. In a statement from the artist, he notes that "the work is rooted in a place of targeted tragedy." He continues: "Its curvilinear twists, knots, and loops are fed by the energy found in the souls of ALL those who toil and triumph everyday against the odds and against the unheralded tragedies of life. My work is a universal story with both hero and villain, good and evil."

Photo courtesy of Rubell Family Collection

Rubell Family Collection, Purvis Young
Young spent his entire life "observing and documenting the lives, deaths, struggles, and dreams of the people around him." This exhibition is a comprehensive collection of what he created from that.

Photo courtesy of California African American Museum

California African American Museum, Adia Millett: Breaking Patterns, opens February 5
Millett is focused on understanding identity, personal memory, and collective history in her work, paying special attention to the history of African Americas, particularly women. For example, a series of quilts made of discarded clothing, sheets, other quilts, and curtains are intricately created, and "allude to domesticity and craftwork."

Photo courtesy of Pérez Art Museum Miami

Pérez Art Museum Miami, Ebony G Patterson ...while the dew is still on the roses...
Patterson creates layered surfaces of flowers, glitter, lace, and beads as a reference to and investigation of "forms of embellishment as they relate to youth culture within disenfranchised communities." Her work explores themes such as violence and masculinity as they shape the culture of her native Jamaica and within Black youth culture around the world.

Photo courtesy of Pérez Art Museum Miami

Pérez Art Museum, Arthur Jafa: Love is the Message, the Message is Death
Jafa's short film Love is the Message, the Message is Death is a celebration of the huge successes that Black Americans have had in a country that so ruthlessly works against them. The video intersects huge victories with the suffering and pain they have been subject to, showing that the two are inseparable.

Photo courtesy of Museum of Contemporary Art North Miami

Museum of Contemporary Art North Miami, AFROCOBRA: Messages to the People
This exhibition acts as a celebration of the Chicago-based artist collective AFRICOBRA, which "helped define the visual aesthetic of the Black Arts Movement of the 1960s and 1970s." Work from the founding artists and other early members will be shown together.

Screenshot via Youtube

While the song should serve as a reminder to your exes

Just a day after dropping new single "Nunya," featuring Dom Kennedy, Kehlani has released the winter-wonderland visuals to go along with. The singer, NYLON November cover star, and mother-to-be rocks some of the best winter 'fits I've seen in a while, including a glorious puffer jacket that could double as a down comforter that I absolutely need in my life right now.

Kehlani is clearly living her best life up in some snow-filled forest hideaway, vibing on the beach at sunset and sipping on something bubbly as she coolly reminds nosy exes that who she's with is "nunya business." There's not much of a story line (unlike her recent "Nights Like This" video); the main takeaway is that Kehlani is busy dancing through a forest, missing no one and chilling amongst people who are clearly not the subjects of the song.

Kehlani is only two short months away from bringing baby Adeya into the world, who she thanked for helping her get through the video process. "Shot that 7 months pregnant in da snow..." Kehlani wrote on Twitter, adding, "thank u baby for da motivation, mommy was FROZE."

Even from the womb, Adeya has been hustling hard alongside her momma. Twitter user @ODtheMC pointed out that this is already her second music video appearance, and she's not even been born.

Get some mulled wine ready and escape into Kehlani's winter getaway, below. Stay tuned for her forthcoming mixtape, While We Wait, out on February 22.

Kehlani - Nunya (feat. Dom Kennedy) [Official Music Video]



Photo by Alberto E. Rodriguez / Getty Images.

As in Black Panther Political Party leader

It's been a running joke that the Black parents/grandparents of millennials were really confused about all of the Black Panther hoopla ahead of its 2018 release. Many of them were anticipating a movie about members of the Black Panther Political Party and didn't know who the hell T'Challa was. Well, those people are about to have their moment, and we're about to have another one.

Variety is reporting that Fred Hampton, the Black Panther leader at the center of the upcoming biopic Jesus Was My Homeboy, could be played by none other than Daniel Kaluuya. Apparently, he is in negotiations for the role. And he's not the only Black Panther alum in the mix. The Warner Bros. project is being produced by Black Panther director, Ryan Coogler. The same article reports that the forever swoon-worthy Lakeith Stanfield—who appeared with Kaluuya in Jordan Peele's Get Out—is also in negotiations, to play William O'Neal, an FBI informant who infiltrated the Black Panther Party.

Coogler and Charles King are putting together a dream cast to tell a difficult story. Hampton was killed by the Chicago Police Department, while his pregnant girlfriend lay next to him, thanks in part to information they received from O'Neal. Whenever it's out, I strongly recommend having Black Panther queued up as a palate cleanser.