House3
CLOSE
MENUCLOSE

Brandy Norwood Only Wanted To Sing… Instead Brandy Became A Star

Music
Photographed by Kat Morgan

a comeback worth waiting for

If history has taught us anything, it's that important people need only be known by their first names. For many families (and especially black families), Brandy Norwood was a household name during the '90s. As a child, I did not realize the magnitude of the impact that Brandy made when she graced the screen as the first black princess when she played Cinderella in 1997, across from her idol Whitney Houston. Obviously, it mattered in my own little world, but what Brandy accomplished was more monumental than that. Brandy wasn't the exception—she was the example for girls who looked like me. She demonstrated what we could achieve if we believed in ourselves. With her in the spotlight, we shined too.

Throughout her career, Brandy has accomplished countless commercial successes—she starred in television shows like Moesha, The Game, and Dancing with the Stars, became the face of mainstream brands like CoverGirl, DKNY, and Candie’s, and even had her own Barbie doll. (I cannot remember exactly how old I was when I was given this doll, but I still have it sitting on the dresser in the bedroom of my childhood home.) Brandy's music has earned her a Grammy Award, three American Music Awards, and seven Billboard Music Awards. ("The Boy Is Mine" is a forever favorite.) As far as philanthropic endeavors are concerned, Brandy created the Norwood Kids Foundation with her brother Ray J in 1996, became the first international spokesperson for youth for UNICEF in 1999, and was named honorary co-chairman of the Unstoppable Foundation in 2014. Brandy managed to do it all, and she did so, while wearing her signature hairstyle: box braids.

"At the end of the day, I’m proud to be black, I’m proud to be a woman, I’m proud to have access to the magic that is God," says Brandy. "It’s bigger than that, though. It’s about expression, it’s about beliefs, it’s about faith, it’s about work ethic, and it’s about seeing yourself where you want to be and realizing that where you want to be is really where you really are. It’s having the faith to be patient with the process. We all have access to that. It’s that faith that can take us anywhere that we need to go or where we want to go."

In 2015, Brandy made her Broadway debut as Roxie Hart in "Chicago." Last month, she broke her silence by announcing her return to music with the release of "Beggin & Pleadin." Naturally, more music is on the way to follow up the single, but that's not all! Brandy recently wrapped up production for the first season of her new sitcom Zoe Ever After on BET. All of this at age 37, while raising her teenage daughter, Sy'rai, who she absolutely adores.

Read more about the legacy that Brandy continues to build and observe how her perspective has changed through the years in the interview, below. We couldn't think of a more magical way to close the Black Girl Power... The Future Is Bright series.

You paved the way for so many black women in the entertainment industry by breaking down barriers that were set in music, television, theater, and film. How did you manage to maneuver everything simultaneously? What was it like to go through that during the '90s?
Well, with a lot of the things that I did, I would never have dreamed of doing. All I really wanted to do was be a singer, and I wanted to share my music all over the world. I wanted to do everything that Whitney Houston did. It started from there. I was just blessed with everything else that came with it. I think that I had a spirit of being open and doing everything I could to discover different parts of myself, and I was open to it. At that age, I think I was fearless in a way. I wasn’t afraid to try new things, you know? I wanted to make my music reach everyone, everyone that I could reach. So I did what I could to get the reach, and I was blessed with opportunities like Moesha and Thea. Being side by side with Whitney Houston, being the first black princess, and working with Diana Ross… Just striving. I just had a fearless attitude, and that’s how more things started to come to me that I never dreamt of having when I was a little baby girl.
 
You have accomplished so much throughout your career. Was there a specific moment when you felt like you had defied the odds?
I think when I look back now, in hindsight, I see things like that. When I look back, I see a lot of the things that I was able to do and a lot of the things that I was able to accomplish with braids in my hair. Something as defining as that, I can look back now and really appreciate that, and be grateful for those experiences. But while it was happening, I didn’t really know what was happening. When you’re in something, you don’t really know who you are at that age. You’re just kind of going with the flow, and you’re buying into what everyone else is telling you that you are and [what] you should do. I don’t think you really see what’s really happening. So, when I look back now, it’s like 'Oh my god, I really did a lot.' I have a lot now to share with my daughter. I am now a possibility in her life; if you do your thing, those things happen, no matter what color you are. 
 
Can you share any of the details about the new material that you have been working on? Is there an album on the way?
I’m really proud of the new single. It has definitely sparked what I call a movement, a jump into my career as an artist and just as a person. Everything there is about myself; I’m really sitting in it and living in it. This song and this record was so much of where I was at a point, and being brave enough to sing about it. And then, on the artist track, just going forward, and doing something new and completely out of the box. I’m really excited about the new sound and the new wave of who I am, and I’m just working at putting out more music. I’m grateful to perform, grateful to act, and do other things, but my heart and my soul is into my music right now. It’s therapy for me.
 
After I finish this phase in my life, in terms of the movement of music, I definitely want to go on tour. For me, this is the most personal volume of music that I’m doing. I’m a completely different artist than I was two years ago. It’s got to tap into something different. We’ve been kind of feeling I could take that on the road. There are a lot of things that I don’t really want to get into detail about because I’ve done that before in the past, and somehow things didn’t go the way I said it. But I’m really here, I’m not going anywhere, and I’m really working on everything that I’m passionate about, which is really my music. It’s all happening at the right time.

Your daughter must be in awe of you. Does she think she has the coolest mom?
When she expresses her admiration for me, as a person and as an artist, her opinion and her thoughts about me really matter to me. When she’s expressing how she feels about me, it feels better than anything. When I had the whole doll phase, it was another moment when I didn’t really appreciate it or truly know what was happening. And then the doll comes and looks exactly like me—it felt like a quick moment that went by. But when I look back it’s like, 'Wow, okay, you didn’t have any doll.' Now, my daughter has a doll. You look at that and go, 'Woah.' At the same time, as a mom, you see the other side of me. Like, is this someone else? It’s so strange, but it’s beautiful to look back at the end and appreciate everything. Just to hear people say it and show appreciation, it’s really a good feeling.
 
Given everything that you’ve been through over the years, what personal or professional advice would you give to your younger self now?
It’s a hard one because I would say a lot. But to make it an overarching element for my younger self: everything is going to be okay. Being yourself is enough. It’s enough. I went through a phase where I felt like I needed to be something else outside of me, in order to be successful, and those times were like, long moods. I would just tell my younger self, and I would tell my young adult self, too. Everything about you is perfect just the way you are, even in the imperfection, even that’s perfect. So chill.
 
What does "black girl magic" mean to you?
I’m so proud to be black and I’m proud to be a woman. But to really have the magic, you have to have the faith in order to activate the magic. That’s something we all have, but if we don’t know that we have it, it’s almost like not having it. That’s it. You know it, and you got it, you know? That’s how I can sum it up, but it’s so much more. I wish I could find better words to really express that.
Photo by Imani Givertz

Premiering today via NYLON

Small Talks, aka Cayley Spivey, has come a long way since starting a band, then becoming the entire band herself and forging her own fan base from the ground up. On her recent album A Conversation Between Us, she began to unpack any lingering baggage with one particular song: "Teeth." Today, she premieres the accompanying music video exclusively via NYLON.

"'Teeth' is about my personal battle with letting go of the past," Spivey tells NYLON, admitting that it's easily her favorite song off of A Conversation Between Us.

Watch the video for "Teeth" below.

Small Talks - Teeth (Official Music Video) - YouTube www.youtube.com

True
FROM THE WORLD WIDE WEB
Photos by Joe Maher/Getty Images, Dimitrios Kambouris/Getty Images for TIME

Must have been pretty awkward

Taylor Swift and Sophie Turner were guests on the U.K.'s The Graham Norton Show together, which must have been awkward for Turner's husband, Joe Jonas, seeing as he also happens to be Swift's ex. I wonder if his name came up?

The interview doesn't come out until Friday night, but promotional photos show the two sharing a couch. Swift is making an appearance to perform her new single, "ME!" while Turner is promoting her new film, X- Men: Dark Phoenix. But it seems necessary for the two to be asked about Jonas.

Swift was just on the Ellen DeGeneres Show earlier this month, where she brought up the fact that she felt bad for putting Jonas "on blast" on DeGeneres' show back in 2008 by telling the audience that he broke up with her in a record-setting short phone call. But, according to Swift, she and Jonas are chill now, since it happened pretty long ago, which means she's probably already hung out with Turner and maybe even gossiped about him with her.

We can only hope that they get the chance to spill some tea on television.

True
Screenshot via YouTube, Photo Courtesy of HBO

"That's! His! Auntie!"

Leslie Jones has rewatched the Game of Thrones finale with a beer in hand, Seth Meyers at her side, and a full camera crew ready to take in all her glorious reactions. Spoilers ahead, but, if you haven't watched last week's episode already, that's kind of on you at this point.

When Jon Snow started to make out with Daenerys, also known as his aunt, only to stab her through the chest moments later, it was emotional whiplash for everyone watching. And, Jones' reactions—both from her first and second viewing—sum it all perfectly.

"That's! His! Auntie! [gagging noises]," Jones says before making an aside about calling the police if her uncle ever tried to do the same. But then the knife goes in, and Jones screams. "Did you see that?!" Jones asks, "Yeah bitch, that's a knife in you." Meyers points out the funniest part of all: "Why are you so upset about someone kissing their aunt but totally fine with someone killing their aunt?" Jones replies, "Because that bitch needed to go," and, well, same.

Other highlights from the comedians' rewatch include comparing Dany's victory speech to a bad improv gig, predicting that their dogs would have less of a reaction to their deaths than Drogon did to his mother's, and more.

Watch all of Jones' reactions from this Late Night clip below.

Game of Jones: Leslie Jones and Seth Watch Game of Thrones' Series Finale youtu.be

True
Asset 7
MORE in VIDEO

These lyrics are a lot

Robbie Tripp, aka Curvy Wife Guy, is back with a music video, titled "Chubby Sexy," starring his wife and a trio of models. In it, Tripp raps about his bold choice to find women with an average body size attractive.

The video begins with a series of statements laid over some pool water: "Curves are the new high fashion," "Chubby is the new sexy," "We Out Here." Tripp posits that these queens deserve an anthem, which they do. What they do not deserve is this Cursed Song. As he lists all the names he knows to call them by (thick, thicc, and BBW), one model (who I really, really hope was paid well) squirts some lotion down her cleavage, and Tripp begins dancing.

"My girl chubby sexy/ Call her bonita gordita," Tripp states in his chorus, before going on to compare "big booty meat" to the peach emoji. Another thing he mentions is that his wife can't find a belt that fits her waist, and that's why he calls her James and the Giant Peach. He then tries to dab. Here are some of the other Cursed highlights from his, uh, verses:

Got those Khaleesi curves/ Knows how to dragon slay
She like a dude that's woke/ We like a girl that's weighty
Some say a chubby girl that's risky/ But they ain't met a curvy girl that's frisky
Imma dunk that donk like I'm Andrew Wiggins.
Thick like an Amazon/ Built like Big Ben.

Tripp says one thing in the video that I couldn't agree more with: "She don't need a man." No, she does not. Please run. If you must, watch the entire video, below. Or send it to your nemesis!

Robbie Tripp - Chubby Sexy (Official Music Video) www.youtube.com

True
Photo by Emma McIntyre / Getty Images.

See the promo here

It was bound to happen. The Kadashians and Jenners have committed themselves to letting the cameras roll on their lives, for better or for worse. So if you thought that the Jordyn Woods and Tristan Thompson cheating scandal was off limits, you thought wrong. The trailer for Sunday's episode of Keeping Up with the Kardashians was just released, and it involves the famous family working through the fallout of what happened when Woods went to a party at Thompson's house.

The teaser includes the infamous clip of Khloé Kardashian screaming "LIAAAARRRRRR." It's still not explicitly clear who prompted that strong response. She could be responding to Thompson, who clearly isn't always honest. Or she could be reacting to Woods account of the events on Red Table Talk. But the most revealing moment comes when we see Kylie Jenner—who was Woods' best friend before all of this happened—react for the first time.

In a heart-to-heart conversation, momager Kris Jenner says, "For you and Jordyn, it's like a divorce." Kylie only offers this in response: "She fucked up." Based on Woods' version of events—which I'm inclined to believeThompson is the one who fucked up. Still, I'm hoping for some kind of reconciliation between the two longtime friends. Perhaps we'll have to wait until next season for that.

Check out the promo video below.

True