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Get To Know The Writers Behind The YA Novel Tackling LGBT And Mental Health

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Gaby Dunn and Allison Raskin

Even if you don’t regularly watch Gaby Dunn and Allison Raskin’s YouTube videos, you’d assume they were best friends after talking with them for just five minutes. They play off of each other’s jokes, their natural banter has a way of making you feel like you shouldn’t be listening in, and they make fun of each other in front of complete strangers. You know, typical best friend behavior.

That same relationship, which has more than 750K YouTube subscribers, is now on paper for their new YA novel, I Hate Everyone But You. Well, sort of. The book is loosely based on Dunn's and Raskin’s college experiences—though which parts are fact and which are fiction you’ll have to figure out yourself. It follows Ava and Gen, two best friends navigating their first semester at college on opposite sides of the country. Through text messages and emails, the book tackles things like heartbreak, self-discovery, losing your virginity for the first time, coming out, mental health, and polyamory. Not your typical YA novel one might say. But Generation Z isn’t your typical generation, either.

Dunn and Raskin tell me they chose to write a YA novel because teenagers, the ones now expected to change the world, are whom they wanted to be speaking to. “I think that it’s a really good growth time, and if you can get through to them at that age, you can really shape what they become,” Dunn says.

Ahead, we chat with both Dunn and Raskin about why queer content is so important for young people, the work that goes into maintaining a friendship, and how writing a book has turned them “increasingly fake.”

You guys are best friends in real life, but having two people write one book seems a little difficult. What was that process like?
Allison Raskin: We just sat next to each other, nine to five, three days a week. I typed the whole book while Gaby sat next to me, we ate a lot of candy and listened to a lot of music.
Gaby Dunn: Swiped on Tinder.
AR: Yeah, it was good times.

It's very much based on both of your own experiences; what kind of boundaries did either of you create for yourself in terms of what you would and wouldn't include?
AR: Well, it's fiction, so honestly there were no boundaries. If anything, we want to be able to deny and say we totally made that up. I think that's maybe some of the fun for the fans who know us, to decipher what's new and what actually happened.
GD: We took a lot from our real lives—we took a lot of actual experiences and tried to condense them down to happen in one semester. So, if anyone wants to go back, [they can] find the actual article that I wrote about a dean committing sexual harassment because that really happened. If anyone wants to find Gen's real article, it's a deep cut from the Gaby Dunn Library.

How was it revisiting freshman year of college? It can be a roller coaster for a lot of people.
AR: I think it was such a relief to be an adult. I never wanted to go back in time. I think that that's like the mythology often, that college is often the best time of your life, and I really wanted to make a book where that wasn't the case and where that was okay.
GD: Yeah, I mean I was sort of a fuck-up in the beginning. I partied too much and I hung out with people a lot of whom later dropped out. I took up smoking cigs. I was like, "I'm free for the first time, I'm gonna do all the adult things I want." And so, it was fun to go back and be like, "Oh yeah, you didn't know anything, here's a depiction of that!"

In the book, there's a transgender character and you touch on LGBT and mental health issues. You guys obviously bring these topics up a lot on your YouTube channel also, but why was bringing them up in the book important to the both of you?
GD: I think there's this weird misconception right now, that queer content isn't for young people. My friend Lindsey Amer runs a channel called "Queer Kids Stuff," which is like a Sesame Street and for kids, and people go crazy on her for that, they're, like, so furious [for introducing queerness to children]. But we tell babies, "Oh, that's your girlfriend," or, "Oh, this baby's such a flirt." It's not like we don't teach kids heterosexuality. So I think there's this weird thing, where we're like, "Oh, we gotta keep the queer content away from the kids," but kids know, teenagers know, they're very sure of themselves now. They're very interested in sexuality, so I wanted to depict 18-year-olds who already are interested in that about themselves. Where Alex has already transitioned, and that's not a huge factor in his story line in the book. Gen's coming out, but she's still super-happy about it and is excited to be bisexual. I think that was important because I didn't want to talk down to young people who already know this.
AR: I think a large part of what we enjoy doing on the channel is normalizing stuff that potentially hasn't been completely normalized yet, but if we treat it like it's no big deal, then it becomes no big deal. That was definitely a big approach to some mental health stuff in the book.

It's so strange that people are uncomfortable with exploring this topic with younger generations because I feel like Gen Z is probably the most woke of the generations. 
AR: I've always said that this generation is our only hope.

It's true, they have a lot riding on them. 
AR: Yeah, if the world survives long enough for them to take over.

So, another aspect of the book that I really like is that the characters argue. There's a lot of love, but there's also a lot of telling it like it is. Ava says a lot in the book that she refuses to be a yes woman to Gen. Why was that important to show the highs and lows of friendship, and did you pull from any of the arguments that you guys have had in real life?
GD: Oh, we had a huge fight while writing this book, and we just put it in the book! We had a massive fight in the middle of writing it, that was like, it came from weak plays on both sides but… I think there was stuff that came from good places, and that's where the characters are coming from; they love each other. It's less mad and more sad that they're not seeing eye to eye.
AR: I think there's this misconception that only romantic relationships take work, and we wanted to show that all strong relationships and important relationships take work and there will be fights. You're never going to completely agree with someone because... how could you?
GD: I agree that there's this whole thing of like, "You don't have to work it out unless it's your significant other." But you do! Allison's my significant other in a lot of ways, and we do have to work it out.

What do you guys hope that younger generations, or whoever is reading this book, take away from it?
AR: Friendship should be an important part of real life—it should be a priority—and who you are now doesn't dictate who you are in the future. There's so much room for growth and both characters change so much in the course of one semester, just imagine what they'll be like at the end of the college experience. And hopefully, you'll find out, because it'll become a best-seller and we'll get to write a sequel.
GD: Yeah, I think you don't have to be so headstrong about stuff, and I think you should be willing to learn and be willing to be wrong. It's not embarrassing to be wrong. I still have to teach myself that all the time, but it's not embarrassing to change and be wrong.

Gaby, I listen to your podcast Bad with Money, do you guys have a plan in place for how you're going to manage your first big check from book sales?
GD: Well, the personal proceeds that we're making from the tour are going to Hurricane Harvey relief, that's what we decided to do. So, that is good and bad with money? We thought that was the right thing to do, considering how disastrous and devastating it's been. Also, it was a great opportunity for me to learn what a retirement [fund] was, and to actually put stuff away for retirement. So that's mostly what I've been doing. I don't wanna seem like a saint, I also bought a lot of suits... oh yeah, and sneakers. I became a sneakerhead.
AR: I started getting fake eyelashes? Cause that feels like the real me?
GD: They look amazing.
AR: Thank you.
GD: We’re just becoming increasingly fake.
AR: Yeah, that's what is happening. I pay for a trainer now, I have fake nails, I don't know what's going on! I was saying, like, no one is beautiful, people are just rich.
GD: Yeah! Dolly Parton says, "Ain't no such thing as a natural beauty."

I Hate Everyone But You is available for purchase now.

Photo by Gareth Cattermole / Getty Images.

It marks her third duet with Nas

Here are some words that I never expected to read or hear again: There is a new song with Amy Winehouse. But here we are in 2019, and Salaam Remi has granted me a wish. On Valentine's Day, the Grammy-nominated producer and frequent Winehouse collaborator (also responsible for hits like Miguel's "Come Through & Chill") released "Find My Love" which features rapper Nas and that powerful and haunting voice that I have come to love and cherish so dearly.

Representatives for Remi said that the Winehouse vocals were from an old jam session the two had. Remi was a producer on both of Winehouse's albums, Frank and Back to Black. "Find My Love" marks the third time Winehouse and Nas have done duets under the direction of Remi. They were previously heard together on "Like Smoke," a single from her 2011 posthumous album Amy Winehouse Lioness: Hidden Treasures, and "Cherry Wine" from Nas' 2012 album Life Is Good. Winehouse died of alcohol poisoning on July 23, 2011, before they could complete production on her third album. My heart is still broken about it as she is by far my favorite artist.

"Find My Love" is set to appear on Remi's Do It for the Culture 2, a collection of songs curated by him. Check it out, below.

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Photo by Gabe Ginsberg/Getty Images

"In the midst of chaos there's opportunity"

Following the travesty that was Fyre Festival, Ja Rule wants to take another stab at creating a music festival. Good luck getting that off the ground.

On Thursday, the rapper spoke to TMZ, where he revealed that he was planning to relaunch Icon, an app used to book entertainers, which is similar to Billy McFarland's Fyre app. He told the outlet that he wanted to create a festival similar to Fyre to support it.

"[Fyre Festival] is heartbreaking to me. It was something that I really, really wanted to be special and amazing, and it just didn't turn out that way, but in the midst of chaos there's opportunity, so I'm working on a lot of new things," he says. He then gets into the fact that he wants to form a music festival. "[Fyre] is the most iconic festival that never was... I have plans to create the iconic music festival, but you didn't hear it from me."

Ja Rule actually doesn't seem to think he is at all responsible for what came from Fyre Fest, claiming in a Twitter post that he was "hustled, scammed, bamboozled, hood winked, led astray." Even if that's his feeling, he should realize that anyone involved with Fyre shouldn't ever try their hand at music festivals again.

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