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This Singer Makes Self-Pity Sound Pretty On Her New Single

Music
Photo by Christopher Collins

"Please Let Me Go" by Charlie Collins premieres today via NYLON

Persevering in the face of hefty opposition is hard, so it's totally acceptable to indulge in a little self-pity now and then. There's something really cathartic about licking your wounds right before standing back up, brushing it off, and fighting back harder, and singer Charlie Collins encapsulates that feeling perfectly on her new song. Today, she premieres "Please Let Me Go" exclusively via NYLON.

Collins explains to NYLON, "I was feeling sorry for myself when I wrote this, as I just felt like I couldn't 'win,' in a sense. I just felt tired and didn't feel like I had the strength to keep going, constantly comparing myself to others around me and feeling like somewhere along the lines I failed."

And, to be honest, we've all been there, which is why this song is the perfect soundtrack to our most introspective days.

Listen to "Please Let Me Go" below.

Charlie Collins - Please Let Me Go (Official Audio) - YouTube www.youtube.com

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Lil Nas X, The Regrettes, and more

Every weekend, we bring you #SOUNDCHECK—your destination for the best of the best new music that hit the web over the course of the week. Because you should always be prepared when someone passes you that AUX cord. This week's round features 10 of our favorite emerging and established artists including Lil Nas X, The Regrettes and so many more. Turn up, tune in, and tune out.

7 EP - Lil Nas X
It's finally here, and it's everything you'd hope it'd be. Catch that yeehaw Cardi B feature.

"Expensive" - Rence ft. Noah Cyrus
I identify as the expensive love interest, thanks.

The Regrettes - I Dare You [Official Music Video] www.youtube.com

"I Dare You" - The Regrettes
How much cuter could they get? We stan.

Kiesza - Sweet Love (Official Music Video) www.youtube.com

"Sweet Love" - Kiesza
Haunting and hot. What more could we ask for?

Noël Wells - Sad Girl Blues www.youtube.com

"Sad Girl Blues" - Noël Wells
My new anthem, TBH.

"Addicted" - Déyyess
I would let Déyyess sing me the phonebook.

Baby Rose - Mortal (Official Video) www.youtube.com

"Mortal" - Baby Rose
A sultry sort of lullaby.

"Keeper" - Olivia Nelson
Already stuck in my head, and that's where I want it to stay.

Poppy - Choke (Official Audio) www.youtube.com

"Choke" - Poppy
I can't get enough of this creepy AF beat.

"dead yet" - Gabriel Black ft. Phem
So here for this tender teen angst.

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FROM THE WORLD WIDE WEB

Liquid eyeshadow is having a moment, but eye gloss needs some attention, too

Friends don't let friends miss out on all the cool, under-the-radar things they know about, like which little-known beauty brand is low-key making the best highlighter around. And because we consider our readers to be like friends, we gather together all our best finds in our Don't Sleep On This series. Check in every week to see what things we can't wait to share with you.

Applying makeup is really an art: Everyone has their own technique, secret trick, and routine. For me, if I don't have to use a makeup brush, I'm instantly hooked on the product. (My goal is always "it looks like I tried this morning, but I really didn't.") Which is why, when Ulta was having its 21 Days of Beauty sale last year and the Butter London Eye Gloss was half-off, I knew I had to get my hands on it.

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We identify

You probably know Laura Dreyfuss, aka Loladre, from her stint on Broadway in the hit show Dear Evan Hansen. Since leaving the show, she's started writing lines for herself instead of just memorizing them. She's excited to be singing as herself now, instead of as a character, and is happy that her music reflects her own feelings. She also reveals that she loves how little the songs have in common, saying it's "representative of who I am as a person."

In the video, above, the singer talks about what drove her to make her own music, and what she's still applying from her Broadway days.

Produced by Alexandra Hsie
Shot by Charlotte Prager + Gretta Wilson
Edited by Madeline Stedman

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