This nasty girl team-up is the definition of two queens coming together to maximize their joint slay. Though it keeps the original’s sizzling production intact, Chlöe turns the bawdy way up, spinning a positively filthy verse into a smooth come-on. If anyone can match Tinashe’s freak, it’s her.

What could’ve been your standard drop-everything-and-hook-up bop sounds like a slasher sequence, thanks to an unexpected suspenseful and glitchy production. It’d be easy to typecast Madison Beer — a horror-flick aficionado — as the early-offed cheerleader. But by the end of its tension-filled runtime, “15 Minutes” proves her to be final-girl material.

Throughout his sophomore solo album Muse, BTS member Jimin draws a line between reckless infatuation and genuine love. But as the penultimate track “Who” reveals, his hunt for romantic inspiration is just beginning. In the lyrical vein of pop classics like Michael Buble’s “Haven’t Met You Yet” and Whitney Houston’s “I Wanna Dance With Somebody,” Jimin sings of a muse still to be found. Nevertheless, he stays optimistic over an early-2000's R&B beat, showing that, perhaps, the search is half the fun.

On her debut solo single, Jade ditches any preconceived notions formed from her Little Mix days with a bombastic, boundary-pushing slice of pop heaven. What starts as an ’80s power ballad gives way to a thumping dance-floor anthem. Consider this the new bar for star-marking reintroductions.

With a pulsating beat and tinge of country, this self-deprecating ditty is constantly at odds with its sunny production. Evoking the carelessness of a summer car ride, Role Model (aka Tucker Pillsbury) has us ready to reclaim “scumbag” in three minutes flat.

Thanks to a sparse, spitting, and synth-y production, Sofi Tukker’s latest single sounds like an invitation to dance like no one’s watching. Shakespeare only wishes he could write a couplet as undeniable as “Hey homie / Let me love you low-key.”

Donald Glover may be shedding his Childish Gambino moniker with the release of Bando Stone and The New World, but he’s not leaving without another genre-spanning and experimental odyssey. With desperate screams, frog noises, and cinematic swings, his Yeat collab shows that cruising doesn’t always guarantee a smooth ride.

Alessia Cara shoots daggers at a lover who’s gone comatose on her quippy, horn-filled return. The vibe is very “unhinged confessions at a jazz club” as she trades the chance of resuscitation for a burst of creativity.

On the fifth anniversary of their debut album, this fan-favorite outtake from Wallows’ Nothing Happens sessions sees the light of day. Life isn’t a movie, but alt-rock’s resident sad-boy trio can make even regret sound cinematic.

Who knew self-empowerment could sound so psychedelic? With a dash of strings, unbridled screeches, cranked-up horns, and spoken encouragements, Lava La Rue and Cuco deliver the rare feel-good tune that will actually make you feel better.