The former Danity Kane member has been making her mark as an ambitious dance/pop/R&B visionary, and her latest only furthers that path.

This is Caroline Polachek’s most big-brained pop release yet with gibberish adlibbing, clanking production, and 15-seconds of straight shrieking.

The London whizkid who made one of 2017’s best albums, Process, has returned with a new album, and “Only,” a radiant song taking stock of his last few years, is a standout.

IDLES’ rambunctious and grinding “Dancer” exists to inhabit lightless NYC warehouses and, as if on cue, LCD Soundsystem’s James Murphy makes an appearance.

Seamlessly weaving between Arabic and English, NYC musician Felukah creates a shimmering mirage of a club anthem.

Lo-fi distortion saturates SoCal duo Dream, Ivory’s buzzing rock tune “Milk,” which also comes with a plush verse from Jay Som’s Melina Duterte.

Columbus, Ohio band Snarls’ “Big Fish” sounds like cinema-ready alt rock from the early ‘00s, and I can’t get enough.

House music lovers need to get to know The Deep, an independent South Korean musician who’s making UK garage and house bops with sleek finesse.

If Ethel Cain made glitchcore/noise/rock then Jane Remover’s aching, bruising songs would be something close to what you’d get.

In a crowded field of pop singers writing about matters of the heart, Griff’s charismatic voice and lyricism continue to stand out.