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The Meaning Behind Tinashe’s “Cross That Line”
At the end of the day, even nasty girls are looking for true love.
Tinashe set the tone for a nasty-girl summer. But finding someone to match her freak is not the singer’s only prerogative, as evidenced by her refreshingly introspective (and just-released) seventh album Quantum Baby. On the record’s dreamy, cerebral opener “No Simulation,” she embarks on a journey for truth, vowing to “go deeper.” Accordingly, there’s no shortage of candidness — or broke boys — in its eight tracks.
Although the R&B mainstay’s latest era has primarily been defined by late nights, high standards, and not-so-veiled innuendos, she isn’t afraid to admit that her ultimate goal is true love. Still, no song peels back the layers quite like “Cross That Line,” a humming and thumping Z3N-produced bop that finds her at her most vulnerable.
In its pared-back intro, she envisions a future for herself and a lover: “I could see a family / Baby in the backseat / Right now it’s a fantasy.” That said, even the act of admitting what she wants in a relationship is untrodden territory. The typically confident singer admits in the first verse she gets “lost for words on the regular” and doesn’t want to “get hurt.”
That’s why its snapping and spinning chorus feels so monumental. “I don’t wanna miss it if it’s right there / I don’t wanna run out of time,” its lyrics go. Propelled by the fear of cyclically evading emotionally deep relationships, she lets her feelings spill out in a stream of consciousness: “I could be the love of your life / I’m ready to cross that line.”
For Tinashe (or “Nashe if you nasty”), the risk of ruining a good time is worth the reward of potentially settling down. There’s no winking double entendre to crossing that line; it’s an especially honest invitation to finally get serious. Her only concern in this newfound exposure is that she “[hopes] I didn’t take too long.”
Nevertheless, as she confesses in its breathy bridge, she’s “all in.” In the outro, she revisits that imagined future, concluding the track with even more certainty: “That could be us.”
And who are we to argue with her vision?